We always seem to be blessed with the weather when it comes to the walks. The forecast was abysmal but we only ended up with a few drops. The plan was to run through the proposed walk with Andreas and members of the team putting Margate Bookie together.
It is always a chance to capture something of interest whilst I am documenting the events. This was taken inside part of Dreamland which is yet to be renovated.
Since the last post I entered for 25 March I have not been able to attend and document all the sessions as my PhD is taking top priority! I also felt that some sessions were going over previously discussed topics so did not need to be documented.
However I did attend the meeting on 25 April which included a presentation from a Margate project artist working in connection with ‘The Waste Land’ and interested in making a contribution to the exhibition. I have some of the images taken:
The most recent meeting held on 18 July also incorporated an invited ‘sample’ audience to see what their impressions were on the proposed format of the exhibition so far. It was a very lively meeting and the following images were taken:
One thing worth mentioning is the journey and friendships that have emerged since the group started and the fun we have had:
This meeting was held to update the group as to the current position as regards exhibits for the 2018 exhibition , those that have now been agreed and those that are under discussion etc. The image by Man Ray ‘Dust Breeding’ has been agreed by the Pompidou Centre in Paris, so it will be exciting to see it ‘in the flesh’.
I had suggested a link via David Bowie and also to use Zineb Sedira’s film ‘Guiding Light’ which I felt to link with ‘The Wasteland’, but these were not taken up by the group.
My other suggestion for a Henry Moore is still under discussion.
Nick talked to the group about the design of the exhibition and some interesting thoughts, suggestions and views were expressed. Two members of the curatorial staff of the gallery also came in to talk about the practicalities of the actual hang, bearing in mind that some of the exhibits such as the one by Cy Twombly which is very large.
Sally was invited to speak to the group as being a possible contributor to the 2018 exhibition. Her work on ‘The Wasteland’ is the culmination of a five-year PhD project and has resulted in 12 photographic and video installations which have resulted from TS Eliot’s 1922 poem.
We met our visitors from Coventry for lunch at GB Pizza and then back to Turner Contemporary where they read a passage from the poem.
The TSE Research Group then discussed which works of art and artefacts have been agreed to be loaned to the gallery, and which are still to be agreed. Everyone then split into groups to decide which of the items best fitted to the thematic groups.
After an overnight stay in Margate the visitors met with Elspeth and the Walking Group, for a walk around the key sites in Margate that relate to the poem. It was another cold and blustery day but the intrepid walkers were not put off.
Various stops were made en route including The Pie Factory Gallery and Margate Museum. The museum provided valuable insights for the visitors into the Margate of the past and the interesting exhibit is which are held in the museum.
Following the walk to the Garden Gate Project, to coincide with the opening of the new exhibition at the gallery; a session was held with John Akomfrah in conversation with BBC historian David Olusoga. The film by John is being shown as part of the exhibition.
John had made the film installation (initially commissioned for the Venice Biennale 2014) entitled ‘Vertigo Sea’ which I had previously seen at the Arnolfini Gallery in Bristol. It is an extremely powerful and emotive film which addresses issues that are still relevant to issues today. I was anxious to meet him in person and engage in a brief conversation which I was able to do!
The group met for an introduction at Turner Contemporary, and aim of the session was of walking together and stopping for readings at stages along the route.
It was not a day conducive for walking but we carried on regardless and the weather did improve as the time went on.
Alongside reading from the poem, Elspeth had also arranged for some of the visitors to set up ‘Walking Books’ sessions and various people signed up for a session beforehand.
The group walked from the gallery along the seafront and ended up at the Garden Gate Project.
Keith, a member of the group read one of his poems at the end of the walk.
It is now nearly a year (17 November) since the group formed and we went on the first walk. It has gone from strength to strength with Elspeth ensuring that each walk has a main focus. Alongside the main aims, friendships have emerged and the parameters have been extended as to how the group has developed offering a positive prospect for the future.
Since the Turner Contemporary TS Eliot Research Group came into being in August 2015, I have been documenting all the meetings and activities. I have also been part of the Evaluation Team, which has looked at all processes and activities to gather feedback, to enable the group to move forward and progress effectively.
To date although the number of members attending has diminished from the earlier meetings, there is now a strong group who attends and contributes regularly. The group have collaboratively put forward suggestions for pieces to be included into the final exhibition and is now at the stage of putting these forward to the curators to see whether or not these will be available to exhibit in 2018. These are some of the suggestions that I put forward for inclusion.
Subway Drawing – Henry Moore 1941
Dust Breeding – Man Ray 1931
Night Hawks – Edward Hopper 1942
The group is now on its summer break until September 2016.