7 Feb: Research – Tacita Dean

The most recent film by Tacita Dean (b.1963) entitled Film was shown at the Tate Gallery between 11.10.2011 – 11.03.2012.  It is a 10 minute 35mm film projected on a tall white monolith, at the end of the darkened Turbine Hall.  It is part of The Unilever Series and it  celebrates the techniques of analogue as opposed to digital film making. Although it is a silent film, the YouTube video also depicts the ambient sounds within the gallery and the silhouettes of visitors watching the film, which can be rather distracting at times.

She is a British artist who is now based in Berlin and has worked as a draughtsman, photographer and filmmaker.  The Tate website (http://www.tate.org) describes her films  as acting “… as portraits or depictions rather than conventional cinematic storytelling, capturing fleeting natural light or subtle shifts in movement.”  Her work involves static camera positions and long takes. She states ( Tate Shots) that she is interested in old film techniques that create illusion.

The following image entitled Beautiful Sheffield (2001) shows her use of her photographs in the development of her ideas.


I found her work interesting as a crossover between photography and film and like Zarina Bhimji, has worked in both 16mm and 35mm film, and the human presence is incidental to what she is endeavouring to capture.  Her short film The Green Ray is interesting as there is merely a single shot with a commentary from Dean herself.

Prior to Film she exhibited a 16mm film at the Frith Gallery between May and June 2010 entitled Craneway Event (2009).  This shows the choreographer Merce Cunningham (1919 – 2009) and his dance company rehearsing in the former Ford Assembly Plant in San Francisco.  Whilst the human presence is vital to the film she is interested in the ever-changing light and uses this to fall in with the rhythm of the dancers movements.


I now plan to look at the work of several other film makers who have produced short films to see how they have worked to produce their results, particularly if minimal human presence and narration has been used.

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